Another of the Jewish fraternities was “Emunah”. On June 3, 1903, the Jewish National Academic Reading Society was “thrown open,” with the club colors gold-violet-gold. “Emunah” was highly active in the field of Zionism – a characteristic for all the Jewish fraternities – and also set up a library open to the public. Furthermore, “Emunahs” intellectual athmosphere culminated in publishing several books. To mention is especially “Heimkehr. Essays jüdischer Denker” with a preface by Leon Kellner. (Homecoming. Essays of Jewish Thinkers). This anthology contains contributions by notable Jewish authors like Balaban Majer, Nathan Birnbaum (who coined the term “Zionism”), Max Rosenfeld, Salomon Schiller and Leon Kellner. It came out 1912 and is now available online via the university library of Frankfurt: http://sammlungen.ub.uni-frankfurt.de/freimann/content/titleinfo/936863
THE DREAMED ONES
The themes of love and hate are depicted in the movie DIE GETRÄUMTEN (The Dreamed Ones). At center stage are the two poets Ingeborg Bachmann and Paul Celan, who came to know each other in post-war Vienna. Their dramatic postal exchange creates the textual basis of the film. Two young actors meet in a recording studio to read the letters. The tumultuous emotions of proximity and distance, fascination and fear captivate them. However they also enjoy each otherʼs company, arguing, smoking, discussing their tattoos and favourite music. Yesterdays love, todays love and tomorrows: where the lines are blurred lies the heart of the film.
Read more at: http://www.diegetraeumten.at/e/15-en/
goodreads: Edgar Hilsenrath (born [April 2] 1926) is a German-Jewish writer living in Berlin. His main works are Night, The Nazi and the Barber, and The Story of the Last Thought.
Hilsenrath was born in Leipzig. In 1938 his mother escaped with her two children to Siret (Sereth), in Romanian Bukovina, where they enjoyed a respite from persecution. At the time that he should have received an entrance card to higher education, he and his mother were interned in the ghetto of Cernăuţi (Czernowitz).
He began to write about the Holocaust after his liberation when he moved to Paris. Hilsenrath also lived in Palestine, Israel, and New York.
According to Dagmar C. G. Lorenz, Simon Wiesenthal Center, “Hilsenrath calls things by their proper names and portrays life first and foremost as physical existence, of whose details the reader is constantly made aware: birth, nursing, feeding, sex, and excretion accompanied by feelings of pleasure and pain. The rhetoric of politicians and political theory are shown to be the schemes of beings ultimately dependent on these bodily processes and subject to physical desires. Hilsenrath’s very approach is a protest against disrespect toward the mortal body, against the tyranny of the mind over matter.”